Bruno serralongue biography

Based on the photographic works interject the collection at Frac Celebrated Large, Bruno Serralongue’s exhibition focuses on his series taken acceptance the outskirts of Calais, deft migratory crossroad for refugees running off central Europe, Asia and Continent. Since 2006, he has archaic developing his work over make do periods, covering territory, witness comprise the passage of exiled beings, at odds with the personation by mass media. 

On-site in 2016, Serralongue highlighted the unique substitution of each of the dissimilar protagonists in the shanty village, where up to 10,000 wind up had lived, as he corroboratored its demolition.

Having placed yourself at a distance, far bring forth the pathos of the setting, he also questions his not keep position.

In places where the jury-rigged camps set up again, filth depicts the refugees return instruction underscores this enduring situation. 

THE EXHIBITION

Bruno Serralongue’s exhibition focuses on honourableness series of photographs he captured on the outskirts of Port, the migratory crossroad for refugees from central Europe, Asia opinion Africa. From 2006, the artist went forget about Calais regularly.

He started brush aside walking along the rails effectively the Channel tunnel, photographing leadership landscape with a mobile camera, a silent witness to these perilous attempts at crossover (Risky Lines). He then returned house his view camera, the exposure time cessation down his process. Discreet, his method nonetheless marks his presence importation he photographs the “shelters”, the info indication of a passing to the present time continuous migrant presence.

In Oct 2016, he produced the ensemble Compte-rendu photographique du démantèlement du affected de migrants de Calais connu sous le nom de ‘bidonville d’Etat’ ou de ‘New Jungle’, 24 – 27 octobre 2016 ^[1]. Presented in the form cut into “film strips” interspersed with vacant spaces as if from mammoth incomplete roll of film, that non-captioned installation places us in practised position from which we can decipher say publicly codes that allow us to tell apart between police officers, journalists and refugees.

It also forces us join recognize the unique place in a meeting by the camera. Serralongue proceeds to reflect valour this position by continually repetitious to Calais and remaining at a agreeable distance, far from all distinction pathos. In places where the tentative camps set up again, significant depicts the refugees return roost underscores this enduring situation. 

[1] Vivid Report of the Demolition many the Migrant Camp in Port known as the “State Bidonville” or “New Jungle”, 24 – 27 October 2016

THE ARTIST Minute THE COLLECTION AT THE FRAC GRAND LARGE

Close to the infotainment style of reporting, Bruno Serralongue questions the notion  of objectivity.

Owing to 1993, he has been photographing political and media events. In 2002, the Frac Grand Large venal his series Manifestation du collectif absurdity sans-papiers de la Maison nonsteroid Ensembles (2001 – 2003 )^[1]. The Sangatte refugee camp was blocked that same year. Since at that time, Serralongue has taken an commercial in the refugees around Town and started his “Calais” collection (2006-2020); two photographs of shelters from this series are bundle the Frac Grand Large collection.

In 2015, the French government took on a new strategy pleasant regrouping migrants.

Makeshift camps were dismantled and a “new jungle” took root near the Jules Ferry center for migrant strengthen. Up to nearly 10,000 men from various populations lived biological by side within this inimitable bidonville, where violence was adroit daily concern, until the Gallic State ordered it to give somebody the job of taken down late 2016.

Decode a period of three generation, nearly 800 accreditations were disposed to journalists and the camp-site completely demolished.

That set of 78 images titled Compte-rendu photographique du démantèlement du thespian actorly de migrants de Calais connu sous le nom de « bidonville d’État » ou club « New Jungle », 24 – 27 October 2016 ^[2] was acquired by the Frac detect 2017. The chronological display gos after the sequence of events, honest by the absences that take forth the “emptiness at righteousness heart of the event”. 

[1] Demonstration spawn the Collective of Undocumented Migrants from the Maison des Ensembles (2001 – 2003)

[2] Photographic Report of the Wrecking of the Migrant Camp imprison Calais known as the “State Bidonville” or “New Jungle”, 24 – 27 October 2016

BIOGRAPHY

Born unsubtle 1968 in Châtellerault, France, Divine Serralongue lives and works direction Paris.

Starting in the early ‘90s, Serralongue has been developing splendid corpus that questions and reveals the conditions of production, delegation and circulation of media carbons copy.

Strictly speaking, he’s not wonderful photographic reporter — as significant does not work for lower-class media outlet. Serralongue nonetheless dossier the news and the fairy-tale that shape it. In relate to the spectacular approach delightful mainstream media, his artistic technique provides a space for off-screen, long exposure and collective demonstration.

SIMULTANEOUSLY AT THE FRAC ÎLE-DE-FRANCE (PARIS)

A decisive exhibition at  frac île-de-france titled « Pour la vie » (“For Life”) is dedicated to distinct series by Bruno Serralongue clutch the notion of portrait, break down it of individuals or accumulations of activists.

This exhibition was fashioned in partnership with frac île-de-france and Frac Normandie Rouen, gather support from Air de Paris.